The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.
The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.

Void Pendant

By Tom Dixon
$415.00
Color
Minus Plus

The process of creating Tom Dixon's Void is complex. Cut from a sheet of pure metal, each light is pressed and spun, then brazed at the end to form a double-walled shade. The high-shine reflectivity achieved with lathing, polishing and caring for base metals is a bold finish that carries across Void.

Available as a medium or mini pendant, Void is perfect to hang over a dining table or in multiples using a Pendant System.

The LED module offers three key benefits - longer life expectancy, energy efficiency and improved performance including dimmability and light control. Our integrated LED module is fully serviceable and replacement components and individual drivers are available if needed.

Available in a contemporary high polish Copper, Brass and Steel.

This light is Title 24 Certified.

Usually ships within 2 to 4 weeks.

Materials: Copper, Brass and Steel

Dimensions: H 6.1 x Dia. 11.8  inches

Cable length: 98.4 inches Black Braided

Light Source: Large: 6W LED, Light Source Included,  Lumens 800 CRI >94 Color Temperature 3000K, Dimmability ELV dimmers

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